My interest in heirloom imagery is represented through realistic portraiture and historic landscapes.

Technique:
I prefer a fairly oily charcoal. The vine and less compacted brands are too messy and not nearly black enough. When I work, only the black's require direct contact between the charcoal & surface. Instead, I create a sort of paper palette; lifting the charcoal particles and applying them with a tortillon. My “edges” are created where light touches dark and I avoid “line” drawing except in the beginning stages of my work. I spend alot of time blending and layering until I’m satisfied.

Using a kneaded eraser, I have full control of my highlights and if I’ve planned well and preserved the white areas, it’s the most satisfying close to finishing a piece. I rarely “fix” my work unless flattening it serves an effect for the final.

I hope you’ll enjoy them. I welcome your thoughts and observations.

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